This is your NGADM Round 2 Review.
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Man, despite having fairly low-quality resources, you really manage to make some amazing stuff. Anyone who can do that is a super talented musician in my books. Good work!
So yeah, like in your Round 1 submission, you've got some amazing compositional aspects here. You've got such a masterful hold on composition that it's ripping me apart on the inside that you don't have a better microphone, mixing skills and instrument samples. This track has a real charm to it, with a very modest set of instruments that are each used very respectfully and properly. You probably don't have super expensive samples but you give each instrument its own importance and everything fits so well with each other that I don't really care. Fantastic intro and outro too by the way (loving the chord in the outro).
And the composition is just so good! I love your chords. Some chord progressions (like that progression at 0:20 you use throughout the song) are a bit generic for songs of this style but honestly you make such good use of everything that it doesn't give me that 'heard it all before' feeling I get when I hear generic chord progressions. 1:34's chord is also awesome, wanted to point that out. Your melody's great, and you've got lots of subtle compositional details here and there that make all the difference. To top all that, your singing is great. Unlike in Propter Te, your crappy microphone doesn't stand out nastily here and the singing is an improvement from Propter Te (although you are still a bit shaky with your singing here at parts). Your production is also a big improvement, but that's likely because this track is simpler and slower so it's easier to mix.
Now for the complaints. To start off, this track is too quiet. You must have some sort of limiter/compressor with a low threshold in the master channel because there's a lot of unused headroom. This isn't necessarily a bad thing but here it actually requires me to turn up my volume to appreciate the finer details like the wind chimes, the string's chords, the woodwind at 3:28, and so on. Turn the track's volume up enough to make it still sound soft and dynamic but actually allowing me to appreciate all of the small subtle details you put in there. Also, another production-related quirk is that occasionally the lyrics are hard to understand, but I've never cared much for lyrics anyway so that's not really an issue for me.
The big issue I've got with this track, however, is that I'm afraid it doesn't have enough content to keep it going for almost seven minutes. While I commend you on your effort to keep things interesting with the small details, dynamics and various chord changes, this track is still a lot of the same thing. The piano's chord retain the same rhythmic pattern for almost the whole track, the mood is pretty linear throughout, and you don't have much lyrical content either. Provided the song doesn't capture you in a trance due to the amazing composition and atmosphere, this track can very easily get uninteresting. Finally, a small complaint I have has to do with the transition at 4:16 which feels like you just stop and start again. It doesn't feel that natural.
That's all I've got to say. This is a great track and you're an incredibly talented composer. I've got some complaints, mainly being the fact that this needs more content for 6 minutes and 39 seconds of music, but this is still a great track.
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SCORE:
8/10